What is Bharatanatyam?

Bharatanatyam is a classical dance of India, which finds its roots in the southern state of Tamil Nadu. It is believed that Bharatanatyam is mainly a renewal of Cathir, the ancient art of temple dancers. The dance form has been named after Bharata Muni, the author of the Natya Shastra (ancient treatise on classical Indian dance). The word Bharatanatyam is composed of three terms, Bha meaning Bhava or abhinaya (expression), Ra meaning raga (melody) and Ta meaning tala (rhythm). In other words, the dance form is a communion of expression, melody and rhythm.

The oldest of all the classical dance forms in India, Bharatnatyam is also known as the fifth Veda. In the ancient times, it used to be performed by the Devadasis in the temples of Tamilnadu as 'dasiattam'. The postures of the Bharata Natyam dance of India have served as an inspiration for the ancient sculptures in Hindu temples. The postures of the celestial dancers depicted in the scriptures were given the name of Bharatanatyam Mudras on earth. The spirit of Bhakti has been deeply ingrained in Bharata Natyam and it mainly features mythological stories.

The philosophy behind the dance is to search the human soul and unite with the Supreme Being. In the dance form of Bharatnatyam, the artists make use of beautiful hand and eye movements to convey the message. It is more of a personification of the music in a visual form. There are three main elements of Bharata Natyam, namely

• Nritta (rhythmic dance movements)
• Natya (dance combined with a dramatic aspect)
• Nritya (amalgamation of Nritta and Natya)

The credit of bringing Bharatnatyam to its present form goes to the famous quartet of Chinnayya, Ponniah, Sivanandam and Vadivelu of the Tanjore Court. The various forms of the dance, like Alarippu, Jathiswaram, Sabdham, Varnam and Tillana, were also introduced by them. Even the first dance teachers of Bharatanatyam in Tanjore were the descendants of these four brothers only.

Decline of the Dance Form
With time, the devadasis of the temple turned into narthakis of the royal court and prostitution started replacing the devotion of the women. The original technique and themes of Bharatnatyam were modified to suit the new demands. The sacred connotation of the dance form was sacrificed to make it amenable to the entertainment needs of the kings.